Adam Fogelson

“No, they're going to miss out, and I appreciate the question. Obviously, each individual studio has its own perspective, and the metrics that are used to determine what makes a film a good idea or a good bet include box office and all kinds of other ancillary opportunities that come with it.”

“A couple of years of studios across the board. And I think there is much more content on the release schedule over the course of the next year and beyond that I think is going to continue to drive that type of attendance.”

“So as it relates to the opportunities in the mid-budget space, we're excited to be working off of the success that we've had recently. Obviously, The Housemaid was an incredibly well-priced film that's generated massive returns.”

“I'll start with your confidence question in terms of the slate. Clearly, there is no perfect predictor out there. But that having been said, we are seeing a ton of excitement.”

“Yeah, I don't think that it is necessarily the case that these films have to be expensive. Some other studios have had real success with modestly budgeted horror films.”